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Saturday, May 17, 2008
Jain monk walks barefoot across India to reform the men
Jain Monk Prasanna Sagarji Maharaj takes rest at Raghunathpur Village near Berhampur during his Ahimsa Sanskar Padyatra on bare foot to reform men.
Berhampur (Orissa): The monks at normal times live in the wood and pray for the welfare of the human civilization. However, there are few monks like Prasanna Sagarji Maharaj, who lives among the people to reform the men and their attitude by restoring degradation in morality owing to modern living habits.
Prasanna Sagar was born in the Chatarpur region of present Madhya Pradesh left the home at the age of 19 years and became a Digambar Jain monk.
Since then, Prasannaji has been walking bare foot across the country to bring a reform in the men by changing theie lifestyle and the attitude that ought to be in the human being for the development and welfare of the human civilization.
Prasannaji was recently at Berhampur during his tour and stayed for a night at the Raghunathpur village.
During his tour in last 20 years, he covered at least 25,000 kilometers in bare and left a kind of indefinable mark in the minds of the people he met.
As per the tradition of the Digambar section of the Jain, the monk walks bare foot, wears no cloths and remains in bare body throughout the year. He takes food or water only once in a day, maintains silent in the night, uses no vehicle, uses no metal either, pulls the hair of the head by hand only.
Moreover, he never uses any kind comfortable things, sleeps on the bare floor, never takes bath and always carries a Jhadi made of peacock's feather for the security of lives and holds a pot for the purification of the body.
To the astonishment of many people present at the village, Prasannaji broke his silent in that evening before this correspondent, though in the evenings he remains silent as per the Jain tradition.
When asked, he said, "when a monk speaks few people listens, but when a scribe writes the message reaches among the masses. Hence, the journalists should write for the people that could bring a reform in the society by creating awareness".
Speaking about the aims of his Ahimsa Sanskar Padyatra, he said that with each passing day, the men are loosing their moral characters, idealism are being vanished and human attitudes are being changing. So, he felt the need of propagating the people about the reforms in themselves by changing the attitude, spreading love and peace in the society.
Putting emphasis on welfare of the human being and high moral value, Prasannaji said putting aside one’s selfishness; the men should work for the betterment of the society in order to revive the rich social and cultural heritage of the country.
Saturday, April 26, 2008
Lord Parshwanath as Vishnu, Padmavati as Durga!
Recently I visited Udaygiri-Khandgiri caves near Bhuvaneshwar in Orissa. While other devotee Jains were putting their heads on the feet of Lord Adinath and others at the Jain temple on the hill, I took a chance to visit a so called Hindu temple in the mid of the hill.
This Hindu temple is nothing but two Jain caves with beautiful ancient Jain idols. Jain pilgrims rarely visit these caves and miss many things that they must know.
photo: Parshwanath converted to Vishnu
Photo: A Panda in front of Jain idols
When I visited the cave, a hindu Pandya in saffron and yellow cloths was standing in front of an idol of a Godess at the right side wall of the cave. I entered the cave and saluted him. Then I saluted the Godess and asked, 'who is she?' 'She is Maa Parvati' he replied. Then I went to the front wall and found that there were a row of 24 black idols of Jain Teerthankars followed by 24 Goddesses, which are called as Shasan Devis by Jains. However, to know wahat the Pandya says, I asked him, 'Which Godd and Godesses these are?' 'In upper row, they are 24 avatars of Lord Vishnu, and the Goddesses here are avatars of Maa Parvati' he said. I found that the idol of Lord Parshwanath was converted to Lord Vishnu by wearing him cloths. The same thing was done with the idol of Padmavati to convert her in Durgadevi. When I was leaving the cave, the Pandya told me that there is another cave at left and suggested me to go there. So I went there and saw a young and dirty pandya with a saffron dhoti and a thread on his chest had seated in front of the beautifully carved Jain idols on the front wall. I took a photograph of the front wall along with him. Then I requested him to move from there to take photographs of just the wall. He went out. There were more Jain idols on the left and right side wall of the cave.I took a lot of photographs in that cave also. |
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